![]() Lead single Everything Is Alright deals with OCD and the struggle with seeing a psychiatrist. It’s confronted most directly in the line that admits ' but I choose to abuse, for the time being, maybe I'll win, but for now I've decided to die'.īeyond addiction, there was plenty to empathise with. The track's inner monologue gives clear insight into the mental struggles of resisting drink, with the narrator resigned to drinking again despite being acutely aware of succumbing to the same patterns again and again. FUAD is a metaphorical centrepiece in this regard. The words are front and centre, with the narrator resigned to spend the new year at a party don't want to be at, without the mental fog of alcohol to make the night tolerable. It's a stark listen.Įlsewhere on the record, the addict's brain takes control. There is no anthemic chorus or upbeat synth. It’s a sparse track, Pierre’s lyrics the focal point propped up by electric guitar. The best example of this is perhaps on the somber Together We’ll Ring in The New Year. There are songs that are angry and ecstatic, there are those awash in alcohol's comedown, there are those that represent the clarity that glimpses of sobriety offered. It's this struggle that underpins Commit This To Memory. As the band geared up to record the album, the singer was grappling with alcoholism. Ten years later, they devoted an anniversary tour to it, to a fanbase who still held it dearly to their hearts. On the face of it, it was one of pop-punk's premiere success stories.īut despite the band's growing profile, the album was born from a period of unprecedented darkness in Pierre's life. More significantly, they sold enough copies to chart on Billboard the week of its release. Pierre’s vocals had filled out, as if ready-made for the radio play they would get on the US' alternative radio stations. The sound and production were audibly sharper, from the snare drum to the synths. ![]() The recordings were a formidable step up from an already solid debut release. The extra time spent perfecting Commit This To Memory was worth it. And on production duties? That would be Blink-182 co-founder Mark Hoppus. Instead of ten days at a studio, they could now spend a total of six weeks in California to create a near-perfect pop record. Eventually signing with punk mainstay Epitaph Records, the scope for I Am The Movie's follow up was suddenly vast. Motion city soundtrack plus#This upswing in commercial interest – plus a devoted fanbase cemented by the incessant touring of their early days – quickly made MCS a tantalising prospect to labels. ![]()
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